The Bag-Ball
The ball was not a ball. It was plastic bags bound with rope. The pitch was a clay road in Kumasi. And somehow, that was where I learned everything.
The ball was not a ball.
Not in any sense that someone from outside that street would have recognised. It was plastic bags — carrier bags, bread bags, whatever could be found — pressed together and bound tight with rope or string or anything else that would hold. Round enough. Heavy enough. Enough to play with, which was all that mattered.
The pitch was a clay road in Kumasi. Uneven, sun-baked, a surface that punished you for falling. There were no lines and no goalposts anyone had built on purpose, only agreed markers — stones, sandals — set down to define the territory. The game was always already under way before you arrived, and it carried on long after you left.
My older cousins would not let me join.
It was not cruelty. There was a logic to it. They were six, eight, ten years older than me, which at that age makes them almost a different species. The distance between children of different ages is neurological before it is physical: balance, coordination, spatial awareness, the ability to read what is happening and respond to it. They were not being unkind. They were being practical. The game had an outcome, even if nobody kept score, and I was too small to affect it usefully.
So I watched from the edge.
I stood in the red dust at the side of the road and studied how they moved. How a good first touch settled the bag-ball instantly, and how a poor one sent it bouncing awkwardly away. How the older boys asked for the ball with their bodies — angling, positioning, making themselves available — long before they asked for it with their mouths. What happened when they were pressed: who panicked and who stayed calm, who looked for the next pass and who tried to do too much.
When they finished and went in for dinner, I would find the ball wherever it had ended up, and I would stay out longer.
That was the beginning.
The ground was part of the education.
Playing barefoot on a clay road is not a romantic experience. At first, every step on rough ground feels like a small injury — the stones, the hardened ridges of dried mud, a surface that behaves nothing like grass. But over time the soles of your feet adapt. What once hurt becomes neutral. What once demanded conscious adjustment becomes automatic. You stop thinking about the ground. You think about the ball.
I have returned to that process many times since. The way discomfort, sustained long enough, reorganises itself. The way the body learns to manage what it cannot avoid. Adaptation is rarely dramatic. It is incremental, almost invisible, until one day you look back and realise that something which once felt unbearable has simply become the terrain you work on.
That pattern would repeat itself in my life more often than I could have anticipated.
We played until sunset. No referee, no kit, no schedule — just the neighbourhood boys, the bag-ball, and the low evening light turning the road the colour of brick. When our parents called us in, we came home filthy, red dust in our hair, on our shins, worked into the fabric of our clothes. A shower, dinner, and the day was complete.
Football in that setting was not a hobby. It was closer to a language. Everyone spoke it. If you could play, you were saying something. If you couldn't, you were limited in ways that mattered.
This was long before football became the industry it is now — before the academies, the highlight reels, the whole architecture built around finding and packaging young talent. Dreams were quieter then. Less visible. More imagined than planned.
I sometimes joke that if I had known then what I know now, I might have been football's first billionaire.
It is a convenient fantasy. It ignores the details.
Because I didn't stop.
I played for the next thirty-two years. School teams. Local teams. University teams. Hospital teams. I was always there — reliable, present, capable. More than capable, if I am honest. In most settings I was one of the better players: not always the standout, but consistently good. The kind of player people were pleased to have. The kind who could steady a game, shape a result, make something happen when something needed to happen.
I had skill. Even now, I can step onto a pitch with my son and his friends and produce something that makes them stop. A rabona. A rainbow flick. A turn that sends someone completely the wrong way. For a moment I am still that player, still capable of something that looks, to the uninitiated, a little like magic.
I had resilience, too. Injuries came, as they always do — twisted ankles, pulled muscles, the setbacks that derail momentum if you let them. I came back every time. When you love something, you do not weigh up whether to return. The question never really presents itself.
And there was a phase — every aspiring footballer has one — when belief tipped over into action.
I wrote letters. To every Premier League club I could think of. Typed, printed, posted, each one requesting a trial. There is something admirable in that kind of audacity, and something naive in equal measure. I pictured the letters landing on someone's desk. Someone opening one, pausing, intrigued. A phone call. A pathway. I did not yet understand how remote the odds were, or how many other boys across the country were posting similar letters with exactly the same conviction.
I got up early, too. Six in the morning, before school, before the day had properly started, ball at my feet. Touch, pass, control. The same movements, over and over. Somewhere I had understood that improvement required work. The clay road had taught me that without ever saying it: you did not get better by watching. You got better by doing, and doing again.
And yet.
I did not become a professional footballer.
For a long time, I explained that to myself in ways that felt comfortable. Not quite enough opportunity. Not quite the right exposure. Not quite the right connections. A string of almost-moments that, added together, seemed to account for the distance between where I was and where I might have been.
It is a familiar story. It protects the dream from scrutiny.
The truth is simpler, and far less flattering.